尼诺年轻英俊，时髦富有，但国际上他却是一个贩毒大王，在他滴水不漏的保护下，他认为自己的地位无可动摇，一群新潮的缉毒干探决心把他拉下马来……

FollowsagentsatrealestatebrokerageDouglasEllimanastheynavigatethecutthroatworldofluxuryrealestateinNewYorkCity.

由一桩荒诞的“卫生巾杀人魔”案件展开，讲述了几个在日本的中国人，阴差阳错地卷入一场黑帮斗争，与日本毒枭斗智斗勇的故事。他们一个是帮派面临倒闭妄图自裁的帮派老大、一个是吊儿郎当的黑导游、一个是残暴歹毒的黑帮毒枭、一个是唯利是图的歌舞伎町老板、一个是胸怀大志却碌碌无为的警探，每个人为了达到目的经历了一番复杂而有趣的遭遇。主角刚正是一个在日本漂泊的“老炮儿”，亲手建立的帮派日益衰落，试图自裁却意外卷进命案，发现了惊人的秘密。对正义与规矩的坚守，使他选择与日本黑帮毒枭正面对决。

《伶人故事——纽约的追梦人》是一部反映生活在纽约的中国京剧艺人的舞台梦想和现实困境的纪录长片。纪录的主要人物是京剧名家，著名武生袁金凯先生的弟子房玉麟先生。在他身上体现着多重矛盾：他无比痴情的拥抱中国传统文化和精致艺术，又戏剧性的选择了自我放逐，宁愿做一个背井离乡的漂泊客；他是美国人眼中具有特殊艺术才能的杰出人才，但却很少有人能够真正懂得和欣赏他的艺术。作为漂泊在外的异乡人，他面对现实生活中诸如生计困难，身份认同，语言障碍，文化隔阂等多重问题和压力，但他从未放弃过心中的舞台梦想和艺术追求。《伶人故事——纽约的追梦人》通过人物的困境来折射文化的困境；艺人们的漂泊流落，也是我们传统艺术的漂泊流落；他们的去留两难，也是我们传统文化的去留两难。他们在夹缝中的举步维艰，也是中国传统文化在现代世界格局中的真实写照；而他们在逆境中的坚守坚持，让我们看到这个古老文化绵延传承的希望。

这几天，艾姆街上的小孩都在作着同一个噩梦。梦中，一个脸上有道吓人的刀疤，戴着钢爪手套的怪人正在折磨他们。艾姆街的小孩随之一个接一个死去。南茜（希瑟•兰登坎普 Heather Langenkamp 饰）的好朋友都离奇死去，她觉得这一定跟那个噩梦有关。于是，南茜展开了调查。经过调查发现，梦中的怪人就是当年因骚扰儿童而被愤怒的父母活活烧死的变态佛瑞迪（罗伯特•英格兰德 Robert Englund 饰）！事隔多年，佛瑞迪的鬼魂回来找小孩子们报仇了！为了不被杀死，南茜必须保持清醒，在支撑不住前将佛瑞迪解决掉……

《精灵高中》是美泰最新推出的一部既有趣又幽默的系列动画，精灵高中汇集了一群神奇又时尚的精灵高中生，虽然以精灵为主角，不过实际上讲述的是青少年成长所要经历的种种问题与麻烦、他们在尴尬的青春期所要遭遇的许多烦恼、以及见证在高中几年中所建立的强大的友谊。

Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

40年代的洛山矶唐人街，警员杰克（杰克•尼科尔森 Jack Nicholson 饰）因不满这里的黑暗，辞职当起了私家侦探。这天，一个自称莫拉雷太太的女子请杰克调查丈夫的外遇，杰克欣然接受。杰克发现莫拉雷原来是当地水利总工程师，正在为兴建水坝问题和当地农民争执。随后有人给 了杰克一些证明莫拉雷偷情的照片，隔天早上真正的莫拉雷太太却找上门来要求杰克停止调查莫拉雷。 　　事情变得越来越迷离，杰克决心追查下去……

ALL SAINTS is based on the inspiring true story of salesman-turned-pastor Michael Spurlock (John Cor...

当描眉涂红、身穿艳丽服装、系一根静心搭配的长丝巾、迈着优雅步伐的英国绅士昆汀·克里斯普走在纽约的街头，一堂同志人生的哲理课也拉开了序幕： 　　克里斯普的自传《赤裸公务员》在世界各地上映以来，受到众多好评，呼声不断。善于言谈的克里斯普也因此受邀前往纽约做演说秀。他把数十年的生活经验浓缩成一段精华，他以一个局外人的身份，凭借自己的幽默智慧和直率，在台上娓娓叙来，道出了生活的真谛，征服了纽约的观众。同时他也先后结交了给他晚年的纽约生活带来重大意义的两位朋友：一位是安格斯，一个有着才华，却对自己毫无自信的画家。他很崇拜克里斯普，而克里斯普也被这个才华横溢却自卑，对爱情不敢尝试的年轻人打动。就在他努力帮助安格斯在绘画事业上小有成就的时候，安格斯却成为了本片浅尝而止的艾滋病话题的牺牲者。另一位是菲利普·斯蒂尔，杂志出版商。和克里斯普在最初的接触合作里两人因为观点相驳而分道扬镳。到最后斯蒂尔反成为陪伴照顾克里斯普人生最后时光的挚友，两人在工作，人生，爱情观与童年往事上发生多种美妙交流。 　　本片在2009年柏林国际电影节上获特别泰迪熊奖，由曾获托尼奖的丹尼斯·欧哈拉等演员主演。它与英国著名歌手斯汀的主题曲《Englishman in New York》同名，展现了同志圈的现状，也涉及到一些敏感话题。但电影最成功之处是再塑了一位睿智的艺术家，一位为坚守自我、随梦流浪的老顽童。他能穿过艳丽外表直达深邃内心，拥有像星空一样浩瀚的人生体验。